She was born in 1971 in Karaganda, lives and works in Almaty.
The practice of Saule Dyussenbina is interesting not only for the presentation of each project in itself, but also for its organic dynamics, which intersects several border-statements. The artist operates first with traditional mediums of drawing and painting, studying the subject world around herself; her home, her body, her story and her memory. These studies gradually lead to the creation of assemblies, including not only painting and painted images, but also objects, photographic materials, textiles, natural objects. A complex palimpsest of collages turns into a palimpsest of generalizations that can not be articulated with simple narration.
Dyussenbina makes a study that brings her to the questions of the formation of an archetype and its introduction into the structure of a multicultural state of our times. To solve such a difficult problem, she chooses an exact medium - an area of applied design – the design of interiors, objects of everyday life and embodies her ideas in several series.
Notable recent exhibitions include OY at Esentai Gallery (2014), Kazakh Funny Games in Esentai Gallery (2017), Die Grenze a mobile exhibition of the Goethe Institute (2017-18), Postkoloniale Kunst aus Zentralasien, GEDOK Karlsruhe (2018) and New Mythologies of Central Asia at Sapar Contemporary in 2020.